The Last Day at Issey Miyake on Hudson: Gehry’s Interior, Miyake’s Legacy, and The Row's Move (2026)

A beloved fashion store is bidding farewell, leaving behind a unique architectural legacy. The Issey Miyake store on Hudson is closing its doors, offering a final glimpse of Frank Gehry's remarkable interior design. But here's the twist: this isn't just about fashion or architecture; it's about the intersection of two creative geniuses.

The store, known for its stunning titanium waves, is having its last hurrah with a big sale and a rare photo opportunity. The staff, who have been an integral part of the store's charm, will soon bid adieu. But the real story lies in the collaboration between Miyake and Gehry, a visionary architect who passed away recently at 96.

Miyake's choice of Gehry for the store's design was deliberate. As Miyake revealed in Domus magazine, he sought Gehry's unique ability to bring nature's organic qualities into the space, creating movement, light, and energy. And this is where the magic happened! The store's interior is a testament to this synergy, a fusion of fashion and architecture that is both captivating and controversial.

But the story doesn't end here. The Row, a fashion brand by Mary-Kate and Ashley Olsen, will take over the space. However, they won't retain Gehry's iconic design. Most of the titanium waves will be shipped back to Japan for the Miyake archives, leaving us to wonder: is it a missed opportunity to preserve a piece of Gehry's legacy? And what does this mean for the future of fashion and design collaborations?

As the store prepares for its final days, it leaves us with a thought-provoking question: should iconic architectural designs be preserved, even within the ever-evolving fashion industry? Share your thoughts below, and let's discuss this intriguing intersection of art, fashion, and architecture!

The Last Day at Issey Miyake on Hudson: Gehry’s Interior, Miyake’s Legacy, and The Row's Move (2026)
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